The Aboriginal Encounters the Conquistador: Jamaica Kincaid's "Ovando" Micheline Adams College of the Bahamas he short story "Ovando," published in Conjunctions in 1989, stands out among the other pieces in Jamaica Kincaid's oeuvre. The text does not focus on gender, and, although it is highly allegorical, the author has turned away from the figures of mother and child to explore those of conquistador and Aboriginal. Modern Caribbean narrative has dealt only infrequently with Amerindians, though it must be acknowledged that Wilson Harris has always insisted that they have played a crucial role in the formation of the Caribbean psyche and that their cultures should be tapped as a wellspring of creativity by the people of the region, and Kincaid has allegorised the experience of the region's Aboriginals not only in this work but also in the illustrated children's book Annie, Gwen, Lily, Pam and Tulip (1989). But, generally speaking, the conception of the Aboriginal is far from whole, being based on myth combined with a limited Eurocentric vision. In his examination of the encounter between Europeans and Aboriginals of the Caribbean, Peter Hulme contends that colonial discourse created a binary impression of Amerindians- "fierce cannibal and noble savage" that has been corroborated even by modern history texts; he argues further that anthropological studies have tended to extend this ethnic stereotyping (47). The preponderant conception of the Aboriginal is as victim, however. In fact, the sense of victimisation that once preoccupied the region's intellectuals was formed in part because of the near decimation of these first peoples. One can argue that they are conceived as the consummate victims in the region's history, even more so than slaves are, not only because they are represented as abused and silenced but also because, in actuality, they have been virtually erased. Kincaid travels back to the inception of West Indian history to examine the intersection of the old world and the new. According to its author, "Ovando" was an effort to produce a "grand work about the question of dominion" (Kincaid, interview with Perry 501). The story is told by an