Sa Figure 5. The sea turtle (Caretta caretta) carapace (Feature #1028) post excavation en bloc, ventral side of carapace in view. village center moved from Brickell Point to 8DA11 located across the river, but that the Miami Circle site continued to serve some ceremonial purpose. Ethnographic accounts (Hann 1991:314), recent excavations at 83DA1 1, and analysis of Miami Circle artifacts seem to confirm this movement to the north side of the river for habitation. Therefore, an alternative hypothesis may be posited based on the proposed sanctity of the Miami Circle area during the later periods: the Tequesta may have ritually buried their ceremonial trash in this “hallowed ground”. No ethnographic accounts of the Tequesta specifically mention dolphins, but Lopéz de Velasco, whose writings in 1569 were based on a review of other accounts, does mention the capture of a marine mammal and an associated mortuary ritual. In Hann’s (1991:319) translation of de Velasco, he writes that after the Tequesta captured a whale, “the first thing that they do to it is they open the head and extract two bones that it has in the skull and they throw these two bones in the chest (caja) in which they place the deceased [chief] and this they adore.” In Swanton’s (1946:722) translation of the same passage, he determines that it is not a whale in the ritual, but a manatee. Larson (1980) speculates that the whale may actually be a pilot whale, which is a member of the dolphin family Delphinidae. He argues that the two bones that were removed from the skull were the tympanic bones (the auditory bullae), which resemble small human heads. Because the auditory bullae were recovered with the Miami Circle dolphin cranium, I do not believe that it was used in this type of mortuary ritual, as some have suggested. Alternatively, the dolphin skull may have been used for medicinal purposes. The medicine kit of the shaman recovered MIAMI CIRCLE ANIMAL FEATURES 185 from Key Marco contained the skulls of opossum and weasels (Cushing 1896). However, these skulls are obviously much smaller than a dolphin skull and there is no further evidence of skulls being used in this manner. Animal imagery is a common artistic theme found in Glades-area (Stirling 1936) artifacts dating to the European Contact era, and dolphins were occasion- ally depicted. This “terminal Glades complex” (Wheeler 2000b) temporally extended from approxi- mately the mid sixteenth to the mid eighteenth cen- tury and involves the incorporation of European material such as metal, clothing, and glass beads into indigenous artifacts. According to radiocarbon dates, the animal burials from the Miami Circle probably dated to this time period. The animal iconography of the terminal Glades complex falls into two general categories: one, for use in public places, such as in mortuary ponds, ceremonies, and dances and the other for personal use. The former includes large wooden carvings, wooden masks, and plaques and the latter includes small effigies in the form of pendants, but both categories depict the same animals. In- stances of dolphin imagery in Calusa artifacts from =